skip to main |
skip to sidebar
Elsewhere Kyle Gann is upset by comments being posted to his blog. Could this be the same Kyle Gann who recently posted this comment to another music blog?
'I’m so tired of the Brits shoving their immature wunderkind composers down our throats, and whining about being left out of music history in general, that I wouldn’t give a flying f**k about any criticism coming from that country. As for the Germans, after reading the book I wrote Alex a message complimenting the accuracy of his pessimistic assessment of that country’s current activity.'
Sometimes so wrong, sometimes so right.
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk
This week's John Foulds moment has uncovered a hidden appetite for obscure and mystical early twentieth century music with Theosophical connections. Which pretty well sums up the music of Dane Rudhyar.
Rudhyar was born Daniel Chenneviere in Paris in 1895, and changed his name when he emigrated to America in 1916. During his first two decades in the US he wrote extraordinary piano music. It uses Scriabin and Debussy as a launchpad into a unique post-Romantic musical universe that embraces dissonant counterpoint. Rudhyar's music is little known today, and was not a major influence on other twentieth-century composers. But his work outside music had considerable influence.
In the 1920s Rudhyar was a central figure in the Halcyon Theosophical community in Southern California. Among those influenced by the community was Henry Cowell, who went on to teach John Cage. After 1934 Rudhyar stopped composing and became a leading advocate of astrology. He wrote more than thirty books on the subject. The Astrology of Personality (1936) is the best known, and remains in print today. In 1976 Rudhyar returned to composing, and his late output included two string quartets.
You can sample Dane Rudhyar's music played by pianist, and sometime composer, Steffen Schleiermacher on an excellent Hat Hut CD. The exemplary sleeve notes are by Kyle Gann, and have been used as one of the sources for this short article. Visit the Dane Rudhyar archival project here.
Now read about what has been described as the best music of any late-twentieth century composer.
Image credit Wikipedia. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk
Conlon Nancarrow (above) died on August 10 1997. György Ligeti rated him as the most important composer of the second half of the twentieth century, saying: "For me it's the best music of any living composer today".
Personally I have found the new MDG Scene releases of Nancarrow's Player Piano Studies recorded on a Bösendorfer Grand with a 1927 Ampico Player Piano Mechanism very rewarding, and my header photo from 1950 is taken from volume 1 of that excellent series. There is an fine biography of Nancarrow by Jürgen Hocker, but it is, alas, only available in German. The extraordinary jazz-like music of Conlon Nancarrow will be familiar to many of my readers. But if you don't know it there is a real discovery awaiting. Follow these two paths to Kyle Gann's Nancarrow web resources and book, and then watch a video by Tal Rosner. This uses Nancarrow's music arranged for two pianos by Thomas Adès, who is video artist Tal Rosner's partner .
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk