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As a welcome antidote to English National Opera's ill-judged Kismet (I note that Peter Bazalgette, the big cheese from Big Brother is on the ENO board - which explains a lot) this email was very welcome ~ Hello, I just wanted to inform you that 'Edalat Square' won Houston's Opera Vista Competition over the weekend. It will be staged next year at their festival in June. An MTV affiliated network, LOGO, is considering filming the opera and airing it on TV. Here is a flattering review of the opera:
"The most adventurous of the lot — in both music and libretto — was R.Timothy Brady's poignant, highly poetic Edalat Square, a disquisition on the torture and hanging of two Iranian teenage boys for homosexuality. With keening strings and an overwhelming performance by Vanessa Beaumont as the wailing, distraught mother, Brady used almost calligraphic musical motifs to limn both the intolerance of Shari'a law and man's inherent divinity. Prodigiously talented young Brady is the composer to watch. He may prove to be grand opera's future."
The full article can be found here. Thank you again for your support of the opera.
Best regards, R. Timothy Brady
For the back story on Edalat Square follow this path.
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
'Teatro alla Scala's chief legal counsel ... has today asked Opera Chic in a terse but polite e-mail to change the Opera Chic website's logo because it supposedly creates confusion in the readers minds with La Scala's own official website, due to Opera Chic logo's similarity to La Scala's own logo (until a few minutes ago, now it has been replaced). La Scala also took issue with some other minor things: they don't want anybody to take pictures inside the theater before, during, or after the performances, and so they asked Opera Chic to take down from the site all and every photograph taken inside La Scala: we are working on removing those, too ...' ~ from Opera Chic blog June 6 2007.
'Want to start a blog in Iran? Then you'll have to register it with the government - which has recently begun to require that all bloggers register at samandehi.ir, a site established by the ministry of culture of President Mahmoud Ahmadinejad's government. All you need do is give your personal information, including your blog's username and password - otherwise it will be filtered and blocked so that nobody in Iran, and perhaps outside too, will be able to access it. This has led to an outcry among many Iranian bloggers who consider the net an independent and free forum for expression' ~ from the Guardian June 7 2007. You can read President Ahmadinejad's own blog in English via this link.
Now read about bloggers for Tibet
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
'I've somehow got more faith in the essential decency of the British people that they want to talk about big and important issues in a way that does justice to them' - prime minister designate Gordon Brown plugs his new book in today's Guardian
'The Iranians pinched my iPod - The gifts the Iranians gave the crew were a load of junk - and nothing in comparison to what they stole, including Arthur Batchelor's iPod, he said yesterday. Before their release the Brits were given shabby grey three-piece suits made by a local designer and a fake Hugo Boss shirt. They also got a "granny bag" (sic) full of tat including toffees with a label saying "containing pistachio", a CD and DVD that don't (sic) work and 11 books. These were in English and mostly aimed at trying to convert the reader to Islam with titles like Youth and Morals by Sayid Lari.
Arthur said of the gifts: "They're a bit pathetic. I don't know what they're trying to prove by giving us books on morality and their religion. My morals are fine, thank you very much. And those suits were an insult. Not only did mine not fit, but it was cheap and tacky and the Hugo Boss shirt was a fake. I could pick up a better outfit at a jumble sale."
When they were first captured by the Revolutionary Guards the crew were searched and all their belongings were seized. Among the kit stolen was Arthur's iPod, a going away gift from girlfriend Steph Nethercott. Arthur said: "The iPod was really special to me as it was a gift. It had our song on, Hold Me Tonight by Angel One, which was one of the tunes playing when we first met. It was in a pocket in my overalls. The guards took everything off us - including cigarettes and watches. All we were left with were the clothes on our back. We were told we'd get them back - but I'm still waiting." '
British gunboat crew member Arthur Batchelor talks above to the Daily Mirror about big and important issues following his release by the Iranians last week. The Mirror's sub-editor clearly had more big and important things to do than sub that piece. Which does rather confirm both the point I made earlier this week about the quality of contemporary journalism, and Polly Toynbee's view that the British press is "the worst in the west." And the Iranians haven't much to fear, the Ministry of Defence gives Arthur Batchelor's rank as 'Operator Mechanic', but he hasn't passed his driving test.
Now read Peter Maxwell Davies raging at another British politician's musical garbage
No, the header photo is not a British navy inflatable, it actually belongs to the US navy, but they are one and the same thing these days anyway. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
The Southern Voice reports: Since the 1979 Islamic Revolution Iran, an estimated 4,000 people have been executed for the crime of lavaat, or sex between two men. One particular execution captured the attention of R. Timothy Brady, a 21-year old music composition major at Emory University, while he was studying abroad in Italy during the summer of 2005. It was the case of Mahmoud Asgari, 17, and Ayaz Marhoni, 16, who were publicly hanged in Edalat Square on July 19, 2005, after they were accused of being lovers. “I’m gay — that could happen to me,” Brady says. “It doesn’t matter that they’re Iranian or they’re half way across the world, it still really hit home.”
A year later, when choosing a topic for his senior honors project, the boys’ story still haunted Brady, and became his inspiration for the project, “Edalat Square: Opera in One Act.” Brady, a Gwinnett County native, based his opera on Asgari and Marhoni’s executions, setting the story inside the head of Asgari’s brother, Hassan, who is “imprisoned in pain and memory.” The setting of the opera is abstract and barren, reflecting Hassan’s torment, Brady explains. The horrifying photo below shows the actual execution, and is from the Iranian Student News Agency via Wikipedia.
Rather than a traditional set for “Edalat Square,” Brady instead chose to project images of Persian artwork on stage. Brady juxtaposes post-revolution, modern Persian art with the inherent homoeroticism present in some classical Persian art. He explains that there is “this love for other men in their culture that is really denied today. Look,” he continues, “you have this in your culture, you should embrace it.”
Brady incorporates other non-traditional elements in his 40-minute opera, a form he chose for the piece because, he says, “Opera is such a powerful way to say something.” He utilizes a Persian classical vocalist and an R&B soul vocalist, as well as two more traditional opera vocalists. The ensemble also includes a traditional string quartet, conductor, an actor with a speaking role, and a tape controller, who incorporates noise elements into the performance.
To prepare for the composition of the opera, Brady immersed himself in Persian culture. He listened to Persian music, read Sufi poetry, and spoke to many local Iranians. However, Brady was cautious not to simply appropriate what he learned. “I didn’t want to take their music and put it in the opera and say, ‘Okay, this is mine,’” he explains. “What I wanted to do was incorporate their aesthetics.”
In January, Brady attended the Iranian Human Rights Symposium in Toronto, organized by IRQO, the Iranian Queer Organization, a grassroots effort to “defend the rights of Iranian LGBT people against social and civil injustice.” It was there that Brady made contacts that will help him further the reach of his opera. The University of Toronto will host a screening of “Edalat Square” in May, and the opera will air on Sirius Satellite’s OUTQ radio station as well as a local station in Vancouver.
While Brady has found some support in the Persian community, he has also received e-mails from some who feel the opera is anti-Islamic. He is quick to note that his work has no anti-Islamic sentiments, but is instead a political piece commenting more on the strict Iranian government who, according to Brady, has hijacked Islam. “We keep talking about, ‘Oh, the nuclear bomb!’” Brady states. “That’s not really the problem right now. The problem is human rights issues.”
Brady, who used to be more traditionally involved in GLBT activism, sees his opera as a form of activism. “In 2004, 2005, after the election, I became disenchanted ... I wanted to think of other avenues to express myself socio-politically,” he says. “I thought this would be a good way to continue my activism in an artistic manner. It’s a better way that I can express myself.”
As for what’s next for Brady, he plans to attend graduate school for composition, and to pursue a career as a composer and producer. For now, though, he wants people to be moved by “Edalat Square.” “I hope people will walk away being spiritually affected, not just emotionally, but I want something deeper,” he explains. Brady hopes that Asgari and Marhoni’s story will continue to live within the audience “long after the lights go down, long after the music is forgotten.”
* Visit Timothy's Myspace page here.
Now read about another topical contemporary opera that reached primetime TV. Header photograph by Bo Shell and text reproduced with full acknowledgments from The Southern Voice, execution photo added from Wikipedia . Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk
