Showing posts with label gnawa. Show all posts
Showing posts with label gnawa. Show all posts

Friday, May 23, 2008

Music of Black Africa on Future Radio


'If something is boring for one minute try it for two, and if it is still boring, try it for four minutes; eventually one discovers it is interesting' - Zen saying.

Find out whether the Zen masters are right this holiday weekend when my Future Radio programme scores another first with the broadcast premiere of a complete African trance ritual recorded in the Medina of Marrakech, Morocco. The performance is by traditional gnawa musicians (photo above) and has been made possible by a collaboration between the Norwich community station Future Radio 96.9FM and KamarStudios who are based in Marrakech and New York.

Marrakech is known as the Gate of Black Africa and gnawa music came to Morocco from sub-Saharan Africa with the slave trade. For centuries gnawa has only been played in secret spirit-possession and healing ceremonies called lilas that evolved from ancient African animistic and Islamic Sufi rituals. In these religious rites healing spirits are said “to mount” the possessed, who whirl and writhe in an ecstatic trance.

Recordings of the gnawa trance rituals are very rare as they are performed in private. But KamarStudios have worked with leading gnawa musicians to record the complete ‘black’ section of the twelve hour long Nights of the Seven Colours trance ritual which celebrates the creation of the universe. The ‘black’ ritual lasts for two hours and in a broadcast first will be aired on Future Radio without interruption. The performance is led by gnawa master musician Abbes Baska Larfaoui supported by eighteen musicians and dancers.

Gnawa music, which combines vocals with repetitive and intricate cross rhythms on percussion has many connections with contemporary music and now has its own festival at Essaouira on the Moroccan coast which attracts an international audience, while Steve Reich and many other contemporary composers have been influenced by African drum rhythms.

To reflect these contemporary connections the broadcast of the sacred lilas is being paired with a one hour set which combines the traditional gnawa musicians with two young Marrakech DJs whose influences range from Philip Glass to Bill Laswell. This one hour electro-acoustic ‘minimalist trance’ set concludes the webcast which starts on Future Radio at 12.01am UK time early on Monday morning May 26 which is Sunday afternoon or evening in North America, find precise local time here.

Remember also my interview with Jordi Savall which is being broadcast at 5.00pm UK time this Sunday May 25. As the gnawa trance broadcast takes the usual Overgrown Path repeat slot early on Monday morning the Jordi Savall interview is getting a special repeat at 12.01am on Wednesday May 28, which is Tuesday afternoon or evening in North America.

Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Friday, May 16, 2008

Chopined out? - try a different radio experience


Here are three very good reasons to try the Future Radio experience. All the broadcasts are available on the internet plus 96.9FM in the Norwich, UK area. Times are UK (convert to local here) and more details on the two marathon projects will follow nearer the broadcast dates.

May 18 & 19 - As relief from BBC Radio 3's endless Chopin Experience you can listen on Sunday May 18 at 5.oopm (repeated May 19) to music in exile by Bohuslav Martinu, Karl Weigl and Peter Paul Fuchs. The webcast of Peter Paul Fuchs' Five Miniatures for chamber ensemble from private tapes is a Future Radio first. Grammy winning conductor John McLaughlin Williams knew Fuchs and he sent me this comment after listening to the advance podcast of this Sunday's programme - 'I hope you'll have a wide audience for the Fuchs/Weigl broadcast. I downloaded the Fuchs and it's interesting. Sounds just like I imagined his mature music would. Merits further investigation'.

May 26 12.01am (this is a holiday weekend in both UK and US) - After the complete Inner Cities comes another Future Radio first with the broadcast premiere of a complete African trance ritual recorded in the medina of Marrakech, Morocco. The performance is played by traditional gnawa musicians (above) and has been made possible by a collaboration between Future Radio and KamarStudios who are based in Marrakech and New York. The trance ritual lasts for approximately two hours and will be followed by a one hour minimal trance set combining the traditional gnawa musicians with two young Marrakech DJs whose influences include Philip Glass and Bill Laswell.

August 25 12.01am (UK holiday) - a complete webcast of Kaikhosru Sorabji's epic piano cycle Opus Clavicembalisticum played by Geoffrey Douglas Madge without any announcements or other interruptions. Just think, four hours of radio without once having to endure Petroc Trelawney. Do join thousands of other happy new ears for the Future Radio experience.
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Monday, April 28, 2008

Eat your heart out RIAA


Everywhere else it is doom and gloom in the record industry. But here is one retailer giving the thumbs up. He runs a market stall in the Jemaa el Fna in Marrakech and official figures show that more than 90% of CDs and DVDs sold in Morocco are pirated, with an industry spokesman saying "every artistic endeavour is affected". Based on my recent visit I would put the piracy rate higher; during nine days in the country I did not see a single legitimate CD on sale. But then, even the BBC gives permission for file sharing for personal use.


Now playing - music of the gnawa communities found in the southern areas of Morocco. The repetitive rhythms and looping riffs of gnawa that are the signature sound of evening in the Jemaa el Fna originated in black African religous rituals and trance and are provided by drums and the gimbri, the long-necked lute seen on the label above, supplemented by iron castanets called karakeb. Hypnotic stuff, but I'm afraid my CD (above) the from the Société Chamusic of Marrakesh label is a pirate copy, legitimate discs were simply unobtainable. What does one do? At least YouTube has some interesting material and Amazon France has a range of non-pirated CDs.

Photo (c) On An Overgrown Path 2008. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk