Showing posts with label armenian genocide. Show all posts
Showing posts with label armenian genocide. Show all posts

Saturday, August 04, 2007

Alan Hovhaness - Mysterious Mountain


Robert Fisk writes in today's Independent ~ "There is nothing so infinitely sad - so pitiful and yet so courageous - as a people who yearn to return to a land for ever denied them; the Poles to Brest Litovsk, the Germans to Silesia, the Palestinians to that part of Palestine that is now Israel. When a people claim to have settled again in their ancestral lands - the Israelis, for example, at the cost of "cleansing" 750,000 Arabs who had perfectly legitimate rights to their homes - the world becomes misty eyed. But could any nation be more miserably bereft than one which sees, each day, the towering symbol of its own land in the hands of another?

Mount Ararat (photo above) will never return to Armenia - not to the rump state which the Soviets created in 1920 after the Turkish genocide of one and a half million Armenians - and its presence to the west of the capital, Yerevan, is a desperate, awful, permanent reminder of wrongs unrighted, of atrocities unacknowledged, of dreams never to be fulfilled. I watched it all last week, cloud-shuffled in the morning, blue-hazed through the afternoon, ominous, oppressive, inspiring, magnificent, ludicrous in a way - for the freedom which it encourages can never be used to snatch it back from the Turks - capable of inspiring the loftiest verse and the most execrable commercialism."


Alan Hovhaness was born in Boston in 1911. His Armenian father came from Adana, which is now in Turkey, and his mother was of Scottish descent. Hovhaness trained at first in the New England Conservatory, and was organist at St. James Armenian Church in Watertown, Massahusetts, (see photo below), where he was influenced by the music of the composer/priest Komitas Vartabed. Listen to MP3 samples of Vartabed's music sung by the Yerevan Chamber Choir here.

In 1942 Hovhaness won a scholarship to study at Tanglewood with Bohuslav Martinu. But Hovhaness did not fit into the Tanglewood clique dominated by Aaron Copland and Leonard Bernstein. The official Hovhaness web site says that his compositions were ridiculed by the Tanglewood set, and that Bernstein called it "ghetto music." After leaving Tanglewood Hovhaness developed his unique composing style, and continued to be influenced by Armenian, as well as Indian music. After rejection by the Tanglewood group of composers his champions included fellow mavericks John Cage and Lou Harrison.

Hovhaness wrote 67 numbered symphonies, the second of which was composed in 1955 and titled "Mysterious Mountain." Those who believe that youth is a time of life should note that Hovhaness wrote his first symphony aged 25, his second aged 40, and his last aged 81. It would make the perfect overgrown path if the title "Mysterious Mountain" referred specifically to Mount Ararat, but sadly this is not the case. The title refers to mountains in general rather than one specific peak, and the apocryphal story is that the title came about because Leopold Stokowski asked the composer to give the symphony a name.

Whatever the derivation of the title Hovhaness' Second Symphony, like all of the composer's music, should be heard more often. I will be playing the symphony in my Overgrown Path programme on Future Radio tomorrow (Sunday August 5). This is a test webcast, and will be broadcast between 5.00pm and 6.00pm British Summer Time, and is available on web radio. Convert on-air times to your local time zone using this link. Click here for the audio stream. Windows Media Player doesn't like the stream very much and takes ages to buffer, WinAmp or iTunes handle it best. Unfortunately the royalty license doesn't permit on-demand replay, so you have to listen in real time. If you happen to be in the Norwich, UK area tune to 96.9FM.

On Sunday week (August 12) I will be playing William Alwyn's Fifth Symphony which featured in Brain music. Lou Harrison championed Alan Hovhaness. I will be webcasting an all Lou Harrison programme on September 23, and you can read an interview with him in Going Buddhist with Lou Harrison.


Listen via internet radio to Armenian Radio here. Photo credits. Mount Ararat from Wikipedia. St James Armenian Church, Watertown, Mass from church web site. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Wednesday, March 14, 2007

I'm at the Pudding Shop


Modern Istanbul's complex geography renders it all but unmappable: three dozen districts swelling over seven hills, no single centre, fingered by water, jumbled in time. Age dilutes its fluidity. I can't keep a grip on its currents of slippery politics, of chaotic transport, of residents drawn together to argue, talk and trade. Its light is maritime, a sea lies over each shoulder, yet the city is 2,000 miles from any ocean. A ten-minute stroll takes me from a sleepy Greek fishing village to a Hapsburg cul-de-sac reminiscent of a Klimt painting. Across the horizon surge waves of new world tower blocks. In the shifting expanding spiral of my wanderings, I find its anarchic streets, its shifting colours, its millions of voices, its dreams of a legendary past at once foreign and familiar.


I'm at the Pudding Shop, the first meeting point on the hippie trail to Kathmandu. In 1957, two brothers from the Black Sea, Namik and Idris Çolpan opened the Lale Pastanesi across from Istanbul's Blue Mosque. For a couple of years, well-to-do Turks stopped by for frothy black kahve and honey-soaked baklava topped with green pistachios. Then, the tiny, open-fronted patisserie attracted the attention of the early overlanders, both because of its central location and their sugar-craving munchies. Overnight, the travellers made the Lale their place, renaming it the Pudding Shop. Outside its door, London double-deckers and fried-out Kombis parked along the Hippodrome. Pop music played in its garden. The well-to-do Turks stood outside, their mouths agape, watching their sons and nephews drink coffee with paradise-bound freaks in Apache headbands and paisley waistcoats.


Today, the cafeteria is indistinguishable from a dozen of its neighbours, apart from a few faded sixties photographs tacked on the rear wall. Beneath them, a handful of Lycra-clad Danish civil servants procrastinate over dessicated pizzas and köfte meatballs. At the next table, a sunburnt Englishman nurses an early Troy Pilsner.

An extract from the highly recommended Magic Bus by Rory MacLean, (Penguin ISBN 0670914843). The photo above shows my wife surrounded by children from a Muslim school near the beautiful church of Kariye Camii. Contrary to received wisdom the pupils were encouraged to talk to us and ask about Western life, and their teacher was happy for me to talk to the 13 year-olds about the Armenian genocide.


Turkey has many problems, but the open faces of those young people and their delight in asking and answering questions are quite a contrast to Western schools today. Here in the UK the children are taught not to speak to strangers, and attitudes are moulded by the paid-for media, not face-to-face debate. Travelling for our teenagers means a Health and Safety approved £7199 ($14000) Gap Year package, complete with personal travel adviser. Yes, we certainly found Istanbul refreshing. Unlike some, this blog is normally 100% animal-free. But here to end this section is a happy hound in a Beyoğlu street who hasn't yet found the need for a personal travel adviser ...


Now playing - Ahmet Kanneci plays Turgay Erdener. Born in 1957 Turgay Erdener studied at Ankara State Conservatory. He has written for a wide range of forces, and his output includes a symphony dating from 2003. This Sony CD features four works for solo guitar, all played by their dedicatee Ahmet Kanneci whose studies included both architecture and music.
My photo shows Erdener at the piano with Kanneci standing. Modern but accessible music, the three folk tunes are particularly beautiful. If you like the seriously under-rated Preludes and Fugues for guitar by Mario Castelnuovo-Tedesco you will enjoy the music of Turgay Erdener. A great discovery, but the problem is buying it if you aren't travelling to Istabul. The best I can offer is this Turkish online retailer.

Now follow me on the hippie trail in 1967, then chill with a visit the Pudding Shop website for a virtual kahve and baklava, and end with a massage at our favourite hammam (Turkish bath).
All Istanbul photos taken by Pliable in March 2007 by Pliable. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk