Having an opinion is unfashionable in some places these days. But not according to a link on A.C. Grayling's website.Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk
'Bach's music is the only argument proving the creation of the Universe cannot be regarded a complete failure' ~ Emil Cioran
Having an opinion is unfashionable in some places these days. But not according to a link on A.C. Grayling's website.
'As German fuel supplies dwindled in the autumn of 1944 and into the final months of the war, aircraft were grounded, tanks halted, training for replacement pilots could not be maintained, and most of the new and highly effective Messerschmitt 262 jet-fighter aircraft (photo above), of which over 1,200 had been produced by the end of 1944 and which might have considerably prolonged the war, had neither fuel to fly nor trained pilots to fly them. The ME 262s were anyway extremely fuel-hungry aircraft, and those that went into action had to be towed to their end of their runways to conserve fuel, cows were used to do the towing to further save the fuel of tractors.'
The quotation in the second paragraph is taken from Among the Dead Cities. This is a brilliantly researched and written, and deeply disturbing new analysis by philosopher A.C. Grayling of the Allied policy of 'area bombing' that led to death and destruction in Hamburg, Dresden, Tokyo and many other cities. A brilliant study of one of the most complex issues of morality of modern times which concludes that the policy of area bombing was unecessary, disproportionate, and was in defiance of accepted moral standards.
Another new addition to the Dresden literature is Firestorm, the Bombing of Dresden, 1945, edited by Paul Addison and Jeremy A. Crang (Pimlico, ISBN 184413928). This is an antholgy of contributions to the colloqium on Dresden organised by the Centre for Second World War Studies at the University of Edinburgh in 2003. Particularly noteworthy are Nicola Lambourne's chapter on the reconstruction of the city's monuments (see I am a camera - Dresden), and Alan Russell on why Dresden matters. The latter includes a survey of post-war musical activity (including Rudolph Mauersberger's scandalously neglected Dresden Requiem), and gives us a timely reminder that the first performance of Britten's War Requiem outside the UK took place in Dresden in 1965.