Posts

BBC Radio 3 audience crashes by 11.4%

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Latest RAJAR figures for UK radio audiences report that the BBC Radio 3 audience dropped by a whopping 11.4% year on year. This was a loss of 233,000 listeners from Q3 2024 to Q3 2025. Average hours per listener were also down, by 4.9% to 7.7. (Elsewhere, in an attempt to boost Radio 3 and talk down the loss, R3 presenter Norman Lebrecht compares the latest quarter - Q3 2025 - with the previous quarter - Q2 2025. As any industry insider knows, this is a meaningless comparison as radio audiences vary substantially by season. Most importantly Q3 audience is always boosted by Proms listeners compared to Q2.)  This dismal performance comes as no surprise. It was inevitable that Radio 3's strategy of aping Classic FM  would result in short term gain followed by the long term pain which is starting to emerge. Classical radio - and classical music in general - needs to build a strong distinctive franchise with  a loyal audience that is prepared to be challenged . BBC Rad...

Musicians against indifference

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On his new ECM album  After the Last Sky  oudist  Anouar Brahem  is joined by jazz multi-instrumentalist  Django Bates  and bassist  Dave Holland . Plus, in a serendipitous link to that  ultimate opposer of musician's indifference Pau Casals, long-time ECM maverick cellist  Anja Lechner  plays with Brahem for the first time, In his 1986 book After the Last Sky , Edward Said evoked Palestinian history in musical terms, as a "counterpoint (if not cacophony) of multiple, almost desperate dramas, with "no central image (exodus, holocaust, long march)... Without a center. Atonal". In a thoughtful booklet essay  Adam Shatz explains that Brahem's " After the Last Sky is in no way a didactic work of art and still less an anthemic expression of protest" and goes on to point out that "Brahem is Tunisian, not Palestinian, but he is no stranger to the tragedy of the Palestinian people". Most tellingly Shatz recounts how we are all t...

Netflixed and enshittified

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That book was published in 1996. Today aspirational art has been  netflixed  and  enshittified . Thankfully in an era of AI slop and mid TV and radio some still defend cultural snobbery .

We are all to blame

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'The world is a dangerous place to live; not because of the people who are evil, but because of the people who won't do anything about it' - attributed to Albert Einstein Pau Casals resources On An Overgrown Path include Remembering Pablo Casals , In Search Of Pablo Casals , and most importantly A Musician Is Also A Man .

Art has been hijacked by the addiction-directed internet

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Christopher Lyndon-Green 's cycle of Valentin Silvestrov's orchestral works for Naxos is remarkable in several ways. His conducting of the Lithuanian National Symphony Orchestra does full justice to the music of one of our greatest living symphonists. But there is more. For the new release of Silvestrov's magnificent Symphony No. 8 and Violin Concerto with soloist Janus Wawrowski , Christopher Lyndon-Green contributes an essay that expresses what many of us feel, but with an eloquence we cannot match. Here is an extract:  Is Silvestrov a Postmodernist Composer?  What, exactly, is meant by the term ‘postmodernism’ has yet to be satisfactorily defined.   Jean-Jacques Nattiez has famously written, in his great essay about Boulez’s RĂ©pons , ‘Modernism created a gulf with the public, and postmodernism wants to bridge that gap.’  Such a ‘definition’ would seem to give free reign to the all-too-often superficial neo-Romanticism of much contemporary composition, to mim...

And behold there was an earthquake

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These photos were taken by me last week in a village in the Ouirgane valley on the lower slopes of Morocco's Atlas Mountains. In the photo above a ruined house can be seen in the background, and this area was close to the epicentre of the terrible earthquake in September 2023 which killed around 3000 people. More than forty people died in Ouirgane village, and the impact of the earthquake is still only too evident.  For obscure reasons , almost two years later some villagers are still living in temporary accommodation. The shelters have a shiny silver finish to reflect the temperature extremes experienced at 3500 feet. On the day I took these photos the temperature was 32 degrees C. When I asked the lady living with her family in the shelter seen below if I could take a photograph, she asked me in for mint tea.  The title of this post is derived from the Missa 'Et ecce terrae motus' of Antoine Brumel (1460-1512). This work is known as the 'Earthquake Mass' becaus...

Music you will not find in the Apple download chart

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You won't find  Khandroma  from  Patti Smith  and the  Soundwalk Collective  in the Apple download chart. But does that reduce its worthiness? Today audience size is used to measure the worthiness of not just downloads, but also live music,  websites, and every other aspect of classical music . Which is a big mistake: because art music is not about attracting the largest possible audience. It is  about meeting human needs . Every human is complex and different, and every human has a different musical need, and these unique needs also  vary with circumstances . So there is  no 'one size fits all needs' classical music . Which means that, despite industry dogma,  there is no mass market for classical music . Patti Smith and the Soundwalk Collective have had a long involvement with psychogeography . In 2016 their exploration of the effect of geographical location on emotions and behaviour took them to Upper Mustang in Nepal . The ...