tag:blogger.com,1999:blog-8060605.post114918351615778367..comments2008-07-20T12:46:53.935+01:00Pliablenoreply@blogger.comBlogger1125tag:blogger.com,1999:blog-8060605.post-1149190785744949992006-06-01T20:39:00.000+01:002006-06-01T20:39:00.000+01:00Dear Pliable;<BR/>I recently wrote an article for <A HREF="http://www.tokafi.com" REL="nofollow">Tokafi.com</A> asking why contemporary classical music record producers seem unable to inovate and develop the recording process in the way that Legge, Culshaw and their contemporaries did in the past. You'll find the article in three parts <A HREF="http://www.tokafi.com/newsitems/producing-classical-music-1/view" REL="nofollow">here</A>, <A HREF="http://www.tokafi.com/newsitems/classical-music-production-2/view" REL="nofollow">here</A> and <A HREF="http://www.tokafi.com/newsitems/classical-music-production-3/view" REL="nofollow">here</A>.Guthry Trojanhttp://www.blogger.com/profile/06246363997168873541noreply@blogger.com