<?xml version='1.0' encoding='UTF-8'?><?xml-stylesheet href="http://www.blogger.com/styles/atom.css" type="text/css"?><feed xmlns='http://www.w3.org/2005/Atom' xmlns:openSearch='http://a9.com/-/spec/opensearchrss/1.0/'><id>tag:blogger.com,1999:blog-8060605.post114381883745269039..comments</id><updated>2010-07-29T15:48:30.323+01:00</updated><title type='text'>Comments on On An Overgrown Path: London orchestra builds in obsolescence</title><link rel='http://schemas.google.com/g/2005#feed' type='application/atom+xml' href='http://www.overgrownpath.com/feeds/114381883745269039/comments/default'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default'/><link rel='alternate' type='text/html' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html'/><author><name>Pliable</name><email>noreply@blogger.com</email></author><generator version='7.00' uri='http://www.blogger.com'>Blogger</generator><openSearch:totalResults>4</openSearch:totalResults><openSearch:startIndex>1</openSearch:startIndex><openSearch:itemsPerPage>25</openSearch:itemsPerPage><entry><id>tag:blogger.com,1999:blog-8060605.post-115621244671560425</id><published>2006-08-22T03:07:00.000+01:00</published><updated>2006-08-22T03:07:00.000+01:00</updated><title type='text'>I couldn't agree more.I think the natural reaction...</title><content type='html'>I couldn't agree more.&lt;BR/&gt;I think the natural reaction to this from a professional musician is one of fear and curiosity. There are obvious benefits to this technology. If its used in schools for example, to accompany/extend,a small town amateur, semi pro band/orchestra/society, miles away from any professional Orchestra's/halls to put on a perfomance of xyz, nutcracker, Guys and Dolls etc, it could encourage that audience to make a trip to hear the real thing, or even to invite an Orchestra to the town, outdoor concert etc..&lt;BR/&gt;However they WON'T be encouraged to hear the "Real Thing" if they are using the same machine in London/New York/Berlin/Vienna etc.&lt;BR/&gt;Live performances of ANYTHING will ALWAYS prevail. A Playstation can show a game of football for you but you still want to watch Manchester United V Chelsea, and not an autoplay with a pre programed result!&lt;BR/&gt;I don't see it as any different to CD's, no one sits down in a concert wall to watch a HI FI, even if its the greatest of all the greatest, human beings want to hear,see, feel, absorb the Human excitement, anxiety, tension, passion emotion, EVERYTHING that machines do not do and never ever will do. Machines are the same everytime, even with all the Rubatos, crescendos and all that, just like the CD which is(or could) be from a live performance, if its the same EVERYTIME you hear it and its 100% predictable, it becomes boring. You can watch the 1966 world cup final video as many times as you want, but unless you were there you will never know how amazing that moment was, it can never be replicated, and this is what keeps all artists employed. Blood Sweat and Tears is what people want with all entertainment,to feel engaged and part of the performance. This will never happen with anything thats prerecorded hence why live entertainment still exists all over the world.  IF this instrument/machine is used appropriately it could help to spark people's passion/desire for this performance and increase audience numbers. All it would take at the end of a performance/demonstration is for someone to say, if you like this taste of Orchestral music here's where you can see the real thing, as live performance is a whole different world.  If its used to spread music to the masses, it can be a good thing for everyone.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/115621244671560425'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/115621244671560425'/><link rel='alternate' type='text/html' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html?showComment=1156212420000#c115621244671560425' title=''/><author><name>Jon</name><uri>http://www.blogger.com/profile/09645476699636982823</uri><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html' ref='tag:blogger.com,1999:blog-8060605.post-114381883745269039' source='http://www.blogger.com/feeds/8060605/posts/default/114381883745269039' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-8060605.post-114425557901282888</id><published>2006-04-05T17:46:00.000+01:00</published><updated>2006-04-05T17:46:00.000+01:00</updated><title type='text'>NOTION has its own blog, follow this link.</title><content type='html'>NOTION has its own blog, follow &lt;A HREF="http://notionmusic.blogspot.com/" REL="nofollow"&gt;this link.&lt;/A&gt;</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/114425557901282888'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/114425557901282888'/><link rel='alternate' type='text/html' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html?showComment=1144255560000#c114425557901282888' title=''/><author><name>Pliable</name><uri>http://www.blogger.com/profile/10616598845886342325</uri><email>noreply@blogger.com</email><gd:extendedProperty xmlns:gd='http://schemas.google.com/g/2005' name='OpenSocialUserId' value='12004668864322587246'/></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html' ref='tag:blogger.com,1999:blog-8060605.post-114381883745269039' source='http://www.blogger.com/feeds/8060605/posts/default/114381883745269039' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-8060605.post-114425139180648683</id><published>2006-04-05T16:36:00.000+01:00</published><updated>2006-04-05T16:36:00.000+01:00</updated><title type='text'>As time passes, if anything, people's ears will be...</title><content type='html'>As time passes, if anything, people's ears will become *more* attuned to the difference.&lt;BR/&gt;Not to mention, doesn't a great sounding piece of software behoove musicians to play more expressively than a computer? When a competing player comes on the scene impressing everyone, what do other players do?  They practise and get better to keep their work, rather than complaining about someone else who worked hard at their specialty and got good. &lt;BR/&gt;What's more, there is so much great music out there that will never be heard for lack of funding to get it played.  If Notion can cut composer/arrangers expenses enough to get their ideas out there, then society will be that much richer for having the music heard; and a few musicians will be out a hundred imaginary dollars that the composer couldn't afford to pay them in the first place.&lt;BR/&gt;This is a new instrument, and people can get skilled in that too, and put their skills to new, fresh use.  When did this cuttthroat survival as a working artist become more important than new mediums for the communication of creative ideas?</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/114425139180648683'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/114425139180648683'/><link rel='alternate' type='text/html' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html?showComment=1144251360000#c114425139180648683' title=''/><author><name>and/or</name><uri>http://www.blogger.com/profile/14128955990583312504</uri><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html' ref='tag:blogger.com,1999:blog-8060605.post-114381883745269039' source='http://www.blogger.com/feeds/8060605/posts/default/114381883745269039' type='text/html'/></entry><entry><id>tag:blogger.com,1999:blog-8060605.post-114413085310463125</id><published>2006-04-04T07:07:00.000+01:00</published><updated>2006-04-04T07:07:00.000+01:00</updated><title type='text'>I'm not surprised some musicians are up in arms, w...</title><content type='html'>I'm not surprised some musicians are up in arms, while others are only interested in the quick buck. &lt;BR/&gt;&lt;BR/&gt;&lt;I&gt;Plus ca change.&lt;/I&gt; &lt;BR/&gt;&lt;BR/&gt;However, I am rather impressed with the sounds. Sibelius has nothing like the choir sounds at the end of the snowflakes waltz - sounds like real singers.</content><link rel='edit' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/114413085310463125'/><link rel='self' type='application/atom+xml' href='http://www.blogger.com/feeds/8060605/114381883745269039/comments/default/114413085310463125'/><link rel='alternate' type='text/html' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html?showComment=1144130820000#c114413085310463125' title=''/><author><name>Anonymous</name><email>noreply@blogger.com</email></author><thr:in-reply-to xmlns:thr='http://purl.org/syndication/thread/1.0' href='http://www.overgrownpath.com/2006/04/london-orchestra-builds-in.html' ref='tag:blogger.com,1999:blog-8060605.post-114381883745269039' source='http://www.blogger.com/feeds/8060605/posts/default/114381883745269039' type='text/html'/></entry></feed>