One important reason why classical music is failing to attract a new young audience is being ignored - today's much sought-after digital natives are fast becoming tomorrow's hearing loss natives. As the Clínic de Barcelona explains , until recently, hearing loss had always been related to age: the older you are, the worse your hearing is. This situation, however, has changed in recent years, as increasingly younger people are suffering from hearing loss. There are many reasons for this widespread hearing loss. There are now high levels of ambient noise - for instance the average daytime ambient noise without PA announcements inside a US airport terminal is 66 decibels which approaches that of a a washing machine. Then there is the noise from the headphones, earbuds, etc used for long periods with digital devices. In addition the overlooked widespread use of ototoxic drugs , including macrolide drugs and non-steroidal anti-inflammatory drugs (NSAIDs), contributes to hearin
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But on the EMI business, I just wanted to say that I got a real shock the morning I clicked on my link to the Naxos Music Library and found myself reading a notice that Naxos would henceforth be distributing the EMI catalogue: All of it, from Beatrice Harrison to Leif Ove Andnes. They estimate it will take them three months to add the whole lot to the Library. The Boult recordings added thus far have been enough to keep me occupied for a while, and some I never thought to hear, as also recordings of others. And, I must add, they are now also the distibutor for Virgin. There's significance in here somewhere, though I've not yet fathomed it Perhaps I'm too busy avidly listening.