One important reason why classical music is failing to attract a new young audience is being ignored - today's much sought-after digital natives are fast becoming tomorrow's hearing loss natives. As the Clínic de Barcelona explains , until recently, hearing loss had always been related to age: the older you are, the worse your hearing is. This situation, however, has changed in recent years, as increasingly younger people are suffering from hearing loss. There are many reasons for this widespread hearing loss. There are now high levels of ambient noise - for instance the average daytime ambient noise without PA announcements inside a US airport terminal is 66 decibels which approaches that of a a washing machine. Then there is the noise from the headphones, earbuds, etc used for long periods with digital devices. In addition the overlooked widespread use of ototoxic drugs , including macrolide drugs and non-steroidal anti-inflammatory drugs (NSAIDs), contributes to hearin
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The plagiarist is one, Eric Anderson, who posted the exact same post on the Classical Music & Opera Forums message board in early March of this year under the name, "Overturesen" (see, here), for which action I closed out his account and banned him (by IP) from ever posting on the CM&OF again (see, here).
ACD
http://news.bbc.co.uk/1/hi/8641515.stm
Yeah, I'm pretty sure Figes had no part in this.
ACD
Would love to know who you do think has insights. I've only ever heard Barenboim's Reith lectures and thought they were great.
p.s thanks for the book recommendations! Will have a look for them-though it's very hard to find stuff here.
Today we are fixated with finding the solution to everything in 420 characters or less. So we have classical charts, composer's greatest hits, and books that the media acclaim for telling us all we need to know about contemporary classical music in 620 pages.
Yes, some of them are of value. But the problem is none of them will ever provide the much sought after 'open sesame'. Moreover there is a real risk that they destroy the essence of the music, its sheer diversity and profundity, in the attempt.
As in many things John Cage had it nailed when he wrote:
'If something is boring after two minutes, try it for four. If still boring, then eight. Then sixteen. Then thirty-two. Eventually one discovers that it is not boring at all.'
In the spirit of the above I suggest the following highly fallible list, many of which have appeared On An Overgrown Path:
* Glenn Gould: Wondrous Strange - Kevin Bazzana
* Evening in the Palace of Reason - James Gaines
* The Roaring Silence: John Cage, A Life - David Revill
* Benjamin Britten - Humphrey Carpenter
* Tainted By Experience - John Drummond
* Hildegard of Bingen - Fiona Maddocks
* Horizons Touched: The Music of ECM - Steve Lake & Paul Griffiths
* Jonathan Harvey - Arnold Whitall
* Boulez: Composer, Conductor, Enigma - Joan Peyser
But I would happily trade them all for Brilliant Classic's 155 CD Bach Edition
On the subject of sourcing books I now almost exclusively buy good quality used copies from Amazon resellers. I have had few problems even with international delivery, and the bargains that can be found are quite astonishing.
Agree with you also on the dissection/analysis bit-as well as the desire for an easy fix. Much prefer personal recommendations to these lists.
Glenn Gould: still haven't read the Otto Friedrich book my sister has but thanks for the recommendation anyway.
salaams,
b.
The Andrew Porter volumes of criticism are also superb.