Shortly after it was released I bought the young Finn Klaus Mäkelä's new complete cycle of Sibelius symphonies recorded for Decca. Sibelius symphonies are very well represented in my large CD collection , in fact I have more Sibelius symphony cycles than for any other composer. Yet I have returned to Mäkelä's interpretations a surprising number of times. No, they will not replace the accounts of Sanderling , Colin Davis, Barbirolli , and others. But they are not worse or better: because subjective dualist judgements of better or worse, like or dislike, good and bad, definitive or otherwise, etc etc no longer mean anything to me . There is no concrete reality in a music performance, only what we individually perceive as reality. A performance is an endless flow of constantly changing conditions. The score is not the performance, and the performance is not the score. Between score and performance lie an infinite number of overlapping variables - tempi, dynamics, performanc
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(sorry if this is a repeat - not sure the first attempt made it, I run my default browser with extremely restricted settings and occasionally get bitten :-) )
(bobregular)
Hi Bob:
More like “Guessing the Score” but would it be Elgar’s “The Apostles”?
Carol
… Elgar’s Apostles which includes a Shofar …
Antoine
Interesting trivia ... of the first five readers who correctly identified Elgar's The Apostles one lives in England, one in Estonia, one in France (just) and two in the States. Which gives the lie to Elgar only appealing to the English.
More trivia, the first two correct answers came from current or former librarians on both sides of the Atlantic and two of the first three came from ladies, the eternal feminine clearly know their Elgar.
I was going to head the post Shofar so good but thought that would give the game away.
What a wonderful work The Apostles is. It is so different to the 'smells and bells' of Gerontius and is almost contemporary in its ecumenical message.
If you don't know the work Boult's classic recording from EMI is currently available for the price of two Starbuck lattes - no contest.
Many thanks to everyone who joined in the fun.
Actually, the question is as much whether Elgar finds appeal beyond the UK (I love Falstaff and the end of the Dream is worthy of Brahms’s German Requiem) as much as how many who responded correctly are Jewish (disclosure: I am).
AL
Actually, I live in Lithuania, not Estonia.
One of my friends, Anatolijus Senderovas, had composed a piece involving the shofar, Shmaa Israel
http://www.mic.lt/en/classical/persons/works/senderovas/36?ref=%2Fen%2Fclassical%2Fpersons%2F41
It involves a shofar...you can listen to bits of it. After that it was easy to find it....
Doesn't mean I appreciate Elgar, though ;-)
-- Beate
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