British pianist fights back against US critics


'Musicians often wonder what authority critics have to publish their opinions in the national press. This is not to say that there are no committed and knowledgeable critics out there - there are. But an arts critic needs no training. No qualifications have to be achieved before you can become one.

I often think about this when I play in the US. Months before the promoter is allowed to hire me, I have to submit extensive reviews, past programmes and CD reviews to show why I should be engaged, rather than a similarly qualified American artist. When the concert finally takes place, it is likely to be reviewed by someone who - to put it mildly - is unlikely to have been so thoroughly vetted. The critic may even be someone who wanted to be a musician but didn't succeed. Yet this one person's review of my concert may determine whether I get asked back.

There is a huge imbalance between the long training and private practice that goes into being a performer and the preparation that goes into being a critic. Performers know this, and it lies at the heart of their uneasy relationship with critics. In the music world it is generally thought that the most dignified response to a poor review is silence. But I wouldn't be surprised if some performers were now wondering whether it would be better to fight back.'

Fighting talk from pianist Susan Tomes (above) in today's Guardian, now follow more links to music critics, good and bad.
Image credit Richard Lewisohn via Hyperion. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and other errors to - overgrownpath at hotmail dot co dot uk

Comments

hamrag said…
Thank you for your thoughts on this subject, Susan. I think you have hit the nail on the head.
10:36 am
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