Largely positive reception for John Tavener's new work The Beautiful Names. So here is an interesting aspect of Tavener:
I have always been drawn more to the archetypal levels of human experience and human types, which is why I think I was drawn to Stravinsky and revolted by Schoenberg. Schoenberg (left) was for me the filthy, rotten 'dirt dump' of the twentieth century. I personally could not stand the angst-ridden sound of decay in his music, the vile post-Freudian world. Basically, I do not respond to the so-called 'Germanic Tradition', whose by now rotting corpse - the hideous sound world of its fabricated complexity - smothers archetypal experience that I have always sought. - John Tavener writes in The Music of Silence, A Composer's Testament (Faber ISBN 0571200885).
But Schoenberg could be just as bitchy. Read here what he said about Toscanini.
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