Observing yet another repeat

Email received on May 15, 2008 - WGBH 89.7 Presents a Virtual First on May 27 with Live Second Life® Concert Event. On Tuesday, May 27 at 11am, WGBH 89.7 will embark on one of the more innovative classical music events in recent memory when pianist Jeremy Denk performs a concert in the WGBH Fraser Performance Studio that will simultaneously broadcast live on air, on the web, and in the virtual online 3-D world, Second Life®.

Overgrown Path August 14, 2007 - Next month, a British orchestra will stage the first full-scale symphonic concert on Second Life.The Royal Liverpool Philharmonic has created a virtual, 3-D version of its concert hall and on September 14 users of the website will be able to attend a concert led by the orchestra's chief conductor, Vasily Petrenko.

Ah, I get it, it's a virtual first. Or perhaps this is a record?
Second Life mirror image from here with thanks. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Mixing it

Mixing it is the way forward- Pierre Boulez did it in his Domaine Musical concerts in Paris in the 1950s when he played Bach, Machaut and Dufay alongside Stockhausen, Maderna and Cage, Stravinsky did it in 1960 when he recomposed three of Gesualdo's madrigals for instruments, David Munrow did it in 1975 with The Art of the Recorder which put music from the Middle Ages alongside Britten and Hindemith, the Hilliard Ensemble did it in 1993 when they added jazz saxophone to Morales' Officium defuntorum, while in 2000 Kent Nagano did it in Berlin by programming Mahler with Ockeghem, and confirmed that mixing it really is the way forward by selling the Philharmonie Hall out.

Now The Orlando Consort, Paul Hillier and the Estonian Philharmonic Chamber Choir are doing it with a new release that mixes choral music by Guillaume Dufay and Guillaume de Machaut with twenty-first century works by Tarik O'Regan and Gavin Bryars. The main juxtaposition is Tarik O'Regan's 2006 Scattered Rhymes which is followed by the fourteenth century masterpiece that inspired it, Machaut's Messe de Nostre Dame. And in the brave new world of the download even the performers mix it. Paul Hillier and his Estonian choir only perform for 16 minutes on a 61 minute CD. If you want Paul Hillier just pay to download the first track.

The marketing of this new Harmonia Mundi release also indulges in some gentle mixing, with the sleeve proudly proclaiming Production USA. Now I know my friends in Sequenza21 land are territorial but is Greyfriars Kirk, Edinburgh, Scotland really in the U.S.A? Well I suppose the team of producer Robina G. Young and Soundmirror Inc engineer Brad Michel are from the States, and, as expected, they do a great job of delivering a credible soundstage enhanced by the church acoustics. When all is said and done Scattered Rhymes is an important new work (it reminded me of Joby Talbot's superb 2006 Path of Miracles, which cannot be bad) and 30 year old Tarik O'Regan is mixing it in all the right places with posts at Cambridge (England), Columbia (New York) and Harvard. And most importantly mixing it is a great way to reach new audiences.

Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Just another mechanical performance

The Detroit Symphony's publicity stunt with Asimo the robot conductor reminded me of this review from the non-too happy period when their new music director was in charge of a leading London orchestra - 'The BBC Symphony Orchestra under Leonard Slatkin gave a vigorous, perhaps slightly mechanical performance of ... Alexander Goehrs' second musical offering (GFH 2001)'.

Alexander Goehr was a member of the Manchester School in the 1950s together with Peter Maxwell Davies, Harrison Birtwistle, Elgar Howarth and John Ogdon, read the story here.
Photo of Leonard Slatkin from Thomsonian. Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Observing all the repeats

Aren't robot conductors rather old news?
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Pipe dreams

Now playing - Gothic Pipes with Kimberley Marshall organ and vocal ensemble Cappella Romana. This Loft Recordings CD goes back to the fourteenth century to present some of the earliest music written for organ from the Faenza Codex and other sources framed by liturgical settings . Beautiful sound from the reconstruction of a fifteenth century organ in Basel's Predigerkirche and the use of the organ's "birdsong" device in the chanson "Or sus, vous dormés trop" ("Now awake, you sleep too much") reminds us that Messiaen trod in the footsteps of others.

Talking of Messiaen it is interesting to reflect that the time that elapsed between the compilation of the Faenza Codex and the birth of Bach is greater than the time that has passed between the death of Bach and today. A select few early composers have become the musical equivalent of household names. But we need more projects like Gothic Pipes to explore the true dawn of Western music.

More truly early music here, and back in the twenty first century read how Loft Recordings built a virtual concert hall.
'Pipes' photo taken in the joiners new house and (c) On An Overgrown Path 2008. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

My silent piece came later

'To Whom It May Concern: the white paintings came first: my silent piece came later.' John Cage writes in Silence about Robert Rauschenberg who died on May 12, 2008. My photo of Rauschenberg in front of his White Paintings comes from an article about about the artist and Cage on Emvergeoning. Read more about cleaning the ears of the musically educated here.
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

The best record store in the world?

Let's celebrate the best record stores in the world before they are all submerged beneath characterless web sites and anonymous file downloads. One of the truly great stores is shown in my photos here. Rombaux at Mallebergplaats 13 in Bruges, Belgium opened as a piano retailer in the early 1920s, and has remained an independent store which is now run by the third generation of the original owners. The piano origins of the business can be seen in the legend over the door in the final photo in my sequence.


Despite retaining its traditional look Rombaux's store has moved with the times. It has recently been completely refitted with floor to ceiling CD browsers to hold their massive range and their is a separate room for opera recordings with auditioning equipment. The company also continues to sell pianos and other instruments and the store next to the current one has been acquired for a new instrument showroom.


This is a classical music store, but jazz and world music are also stocked. There is no discounting, so given the current strength of the Euro prices reflect the quality of the store. Visit the Rombaux web site here. Despite the prices I defy anyone to visit this store and not leave with a pile of CDs. Below are details of just two of the new recordings with local connections that I bought there.


Hans Neusidler - music for renaissance lute played by Bart Roose. Flanders has a particularly rich musical heritage and continues to be home to a thriving music scene. The emphasis is on early music but, like the country itself, tastes are catholic and we were in Bruges for the John Cage Happening. Lutenist Bart Roose was born in Ostend in 1962, studied in Ghent and Antwerp and now teaches at the Conservatoires of Aalter and Gentbrugge and lives in Bruges. Hans Neusidler was a leading figure of the German lute school of the sixteenth century, and the music on this recording dates from the 1530s. Released on the Belgian Passacaille label this CD is beautifully played and atmospherically recorded in the Maria-Aalter Chapel 'De Brooders van Liefde' in Flanders. Wonderful late night listening.


Joseph Haydn - Harpsichord Concertos in F and G and Divertimento in F played by Ewald Demeyere with La Petite Bande directed by Sigiswald Kuijken. Another home team, young Belgian harpsichordist and regular bande member Ewald Demeyere studied in Antwerp while Sigiswald Kuijken was born in Brussels and studied in that city and at the Bruges Conservatoire. A typically spikey performance from La Petite Bande finely captured in the Doopsgezinde Kerk, Haarlem across the border in Holland. (Interestingly Doopsgezinde Kerk is a member of the Universal Mennonite Congregation - the Mennonites are a group of Christian Anabaptist denominations named after Dutchman Menno Simons [1496-1561] and are one of the historic peace churches committed to nonviolence and pacifism.) This excellent CD is released on the Accent Records label, which appropriately was founded in 1979 by the the Belgian maker of baroque recorders and transverse flutes Andreas Glatt.


Rombaux in Bruges is undoubtedly one of the best record stores in the world. Other examples of this much-needed but sadly threatened species gratefully received On An Overgrown Path. In the meantime I'll relish those few wonderful hours in Bruges when record shopping was fun again.

* Another candidate for best record store in the world is Prelude Records in Norwich. In a pleasing convergence of independent retailer and independent record label Jordi Savall will be in Prelude this Saturday (May 17) at 11.30am not only signing his discs but also playing his viola da gamba ahead of his evening Norwich Festival concert. Music to the ears of the independents!

All photos (c) On An Overgrown Path 2008. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

The future of classical music - again

Greg Sandow writes a high-profile blog on 'the future of classical music' and I received the following email this morning:

I thought your readers might be interested in this week’s post on the NPAC (National Performing Arts Convention) blog: Greg Sandow writes about how distinguishing between “high” and “low” art and “popular” culture versus, simply, “culture” limits audiences. All comments – agreements and arguments alike - are welcome.

Best, Amanda
Amanda Ameer
web www.firstchairpromo.com
aim firstchairpromo

As regular readers will know I'm very interested in the future of classical music so I checked out First Chair Promotions website which told me they are - 'a fully integrated firm devoted to supporting unique artists and their vast ranges of interests and talents. First Chair promises the most innovative iniatives in marketing and publicity and is committed to breaking down conventional media and collabaration boundaries.'

First Chair Promotion's clients include Hilary Hahn who is managed by leading music power broker and talent agency IMG Artists, singer/songwriter Gabriel Kahane who is also contracted to IMG, bass/baritone Eric Owens who, sorry to be boring, is also with IMG, soprano Measha Brueggergosman who is, you guessed it, signed to IMG, England's own King's Singers, yes they are too, and 'critic/composer/consultant' Greg Sandow .

Just people doing their job, nobody is hiding anything, you can find it simply by Googling, and it is the future of classical music.
Photo of opening night of 2006 BBC Proms conducted by IMG artist Jiri Belohlavek and played by IMG ensemble BBC Symphony Orchestra (c) On An Overgrown Path. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

Stravinsky - oh wow sacred cow!

'The more new things we try — the more we step outside our comfort zone — the more inherently creative we become, both in the workplace and in our personal lives ... It turns out that unless we continue to learn new things, which challenges our brains to create new pathways, they literally begin to atrophy, which may result in dementia, Alzheimer’s and other brain diseases. No one is sure why, but scientists speculate that getting out of routines makes us more aware in general' This extract from a New York Times article by Janet Rae-Dupree could be the mission statement for the Michael Clark Company's Stravinsky Project.

Last night's double-bill by the company at the Norwich Festival, showed the power of working outside comfort zones with an ultra-modern Rite using nudity in the sacrificial dance as a talisman against dementia. Budgetary comfort zones also took a battering as the forty-minute Rite in the first half used the economical four hand reduction, while for the second half two more Steinways, a supplemented Britten Sinfonia, four soloists, the New London Chamber Choir and conductor Jurjen Hempel were added for a marginally less modern, but still sublime, twenty-five minutes of Les Noces - see header production shot.

Visual comfort zones were also up for grabs, with the second half of Les Noces (except it wasn't - see below) opening with a stunning video of Stravinsky himself conducting the closing pages of The Firebird (how did the players ever follow his beat?), with the maestro's virtual performance drawing enthusiastic applause from both the live and recorded audiences before the real dancing started. The Stravinsky video filmed at the Royal Festival Hall was courtesy of the BBC, and is a timely reminder of the priceless riches locked away in the BBC archives while their 'culture channel', BBC4, fights Alzheimer’s with challenging programmes such as Val Doonican Rocks.

Aural comfort zones become dead-meat with the Michael Clark Company with the exemplary musical forces 'benefitting' from substantial amplification and remixing via a state-of-the-art sound system. Strange when the words don't actually come from the mouths of the New London Chamber Choir, but if it stops dementia who is complaining? (Apparantely some of the audience did by walking out of the previous evening's performance of a different programme which featured very loud music by the Sex Pistols and Wire).

Pesky box-office comfort zones were also ignored by billing the two works as Mmm.. and I Do rather than The Rite and Les Noces. Thankfully there are some big sponsors behind the Stravinsky Project, but I wonder whether the 40% audience capacity would have been bigger had the publicity talked a little bit more clearly about a good old fashioned Rite of Spring?

But overall one of the most stimulating and dementia defeating evenings we have spent in the theatre for a long time. And the headline is for real, it is back-projected during The Rite, sorry Mmm... .

Now watch a video sample of Mmm.. here, read about the four pianists in Les Noces here and about the piano reduction of the Rite here, while Stravinsky has a topical Tibetan connection here.
Any copyrighted material on these pages is included as "fair use", for the purpose of study, review or critical analysis only, and will be removed at the request of copyright owner(s). Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk

I don't worry about status

My photo shows Sir Colin Davis conducting the Chamber Orchestra Anglia in Elgar's First Symphony in an open work shop yesterday afternoon at the Norwich Festival.

We talked to the 80 year old Sir Colin after he had topped two full length rehearsals with a full-on play through of the three last movements of the symphony. I commented to him that there weren't too many conductors of his status who would give up a day to rehearse a student orchestra. Back in a flash came his reply -'Oh you see, I don't worry about status'.

The student musicians really played their heart's out for Sir Colin. But, as my photo below shows, they do seem to have picked up some of the bad habits of their professional colleagues. (Why is it always the brass players?)


More on Sir Colin and Elgar 1 here.
Photos (c) On An Overgrown Path 2008. Report broken links, missing images and errors to - overgrownpath at hotmail dot co dot uk